2025: [1]
[intentional mistakes]
Tereza Umlaufová
May 22nd – June 27th



May 22nd marks the beginning of the second TYPOSPOT exhibition, which is officially the first independent show in a series celebrating a deep love for conceptual typography and type design—aiming to bring greater awareness of this discipline to the wider public.
[intentional mistakes] builds on this year’s TYPOSPOT theme, [1], by interpreting it through the lens of the fear of making mistakes—a feeling that often accompanies all kinds of beginnings. Whether it’s starting a new project, a course of study, research, or a career, we tend to become overly perfectionistic, overthinking and overcomplicating things out of fear of failure. And when we do make mistakes, we often feel a creeping paranoia that everyone has noticed—though, in reality, we’re probably the only ones who actually know. At the beginning, we strive to do everything perfectly, which makes the idea of making mistakes feel… well... unacceptable.
In her installation, Tereza takes this very fear of failure and embraces it. Content-wise, [intentional mistakes] conceptually follows her diploma project, which explores the aesthetics of glitches and errors, resulting in a variable typeface. These ‘glitches’ emerge from flawed interpolations between font masters, resulting in technically functional but visually unexpected distortions. Rather than correcting these deformations, Tereza uses them as expressive tools, intentionally integrating them into the design process. Her typeface features not only a traditional weight axis, but also a ‘glitch axis,’ offering a spectrum of distortions that celebrate error as a design principle rather than an unwanted flaw that needs to be erased. Thus, these mistakes serve as an impulse for creativity, experimentation, and playfulness.
Tereza Umlaufová is a graphic and type designer from Prague, who is currently finishing her diploma thesis in Typolab at AFAD in Bratislava. Her work explores the expressive potential of letterforms, navigating the boundaries between legibility and abstraction. Through experimental typography, she investigates how type can communicate beyond conventional reading.
This project is supported by Nadácia Tatra banky and Staromestské centrá kultúry.
Exhibitioning artist:
Tereza Umlaufová
@typolajna
Event photos:
Ester Šmídová
@esters.lens










2025: [1]
[intentional mistakes]
Tereza Umlaufová
May 22nd – June 27th



May 22nd marks the beginning of the second TYPOSPOT exhibition, which is officially the first independent show in a series celebrating a deep love for conceptual typography and type design—aiming to bring greater awareness of this discipline to the wider public.
[intentional mistakes] builds on this year’s TYPOSPOT theme, [1], by interpreting it through the lens of the fear of making mistakes—a feeling that often accompanies all kinds of beginnings. Whether it’s starting a new project, a course of study, research, or a career, we tend to become overly perfectionistic, overthinking and overcomplicating things out of fear of failure. And when we do make mistakes, we often feel a creeping paranoia that everyone has noticed—though, in reality, we’re probably the only ones who actually know. At the beginning, we strive to do everything perfectly, which makes the idea of making mistakes feel… well... unacceptable.
In her installation, Tereza takes this very fear of failure and embraces it. Content-wise, [intentional mistakes] conceptually follows her diploma project, which explores the aesthetics of glitches and errors, resulting in a variable typeface. These ‘glitches’ emerge from flawed interpolations between font masters, resulting in technically functional but visually unexpected distortions. Rather than correcting these deformations, Tereza uses them as expressive tools, intentionally integrating them into the design process. Her typeface features not only a traditional weight axis, but also a ‘glitch axis,’ offering a spectrum of distortions that celebrate error as a design principle rather than an unwanted flaw that needs to be erased. Thus, these mistakes serve as an impulse for creativity, experimentation, and playfulness.
Tereza Umlaufová is a graphic and type designer from Prague, who is currently finishing her diploma thesis in Typolab at AFAD in Bratislava. Her work explores the expressive potential of letterforms, navigating the boundaries between legibility and abstraction. Through experimental typography, she investigates how type can communicate beyond conventional reading.
This project is supported by Nadácia Tatra banky and Staromestské centrá kultúry.
Exhibitioning artist:
Tereza Umlaufová
@typolajna
Event photos:
Ester Šmídová
@esters.lens
















OPEN CALL
2025: [1]
ONGOING
ARCHIVE
Open Call
TYPOSPOT is a street indie exhibition space in Bratislava’s Old Town that provides a platform for emerging and young graphic designers and artists, focusing primarily on conceptual typography. The aim is to offer them a creative and free space for self-realization, which can be often difficult to achieve in the early stages of their careers, especially given the current societal and cultural situation in Slovakia. At the same time, we want to highlight the discipline of graphic design and typography itself. Typography is an integral part of our daily lives, yet it is often overlooked and undervalued by the general public. TYPOSPOT demonstrates that typography can also evoke various emotions and visual impulses. The individual installations thematically respond to current issues and phenomena related to the lives and challenges of young people, such as activism, otherness, individualism, information overload and disinformation, extremism, and climate change. Additionally, our exhibition space is an open and safe space for queer individuals, fostering inclusivity and dialogue through typography and design.
TYPOSPOT is a display in public space, where we host both individual and collective exhibitions on a six-week cycle. In agreement with the Old Town administration, the exhibitions take place in three blind windows on the side façade of the Zichy Palace, facing Prepoštská Street. This is a busy area frequented by locals, Bratislava residents, and tourists alike. Each exhibition introduces a designer through their own installation, enriched with accompanying events, such as an opening vernissage, guided tours, DJ performances, live acts, and more. At the end of each year, a catalog featuring interviews with the exhibiting artists will be published. By placing this project directly in the public space, we increase its visibility and reach, contributing to the city's identity-building, visual emancipation, similar to what we see in other contemporary metropolises, and fostering a deeper understanding of typography and the Old Town.
2025 marks the first year for TYPOSPOT, and the annual theme is... you guessed it... It symbolically carries the theme of [1] along with its different meanings and associations. Start. Odd. Beginning. First. Mono. Alone. Unique. Single. Individual. Whole. TYPOSPOT is inspired by the Viennese project Typopassage and Bratislava’s Typogaráž. While the goals and presentation methods of these typo-projects vary, they are all united by one thing: a love for typography. TYPOSPOT is organized by a collective of graphic designers: Monika Juríková, Peter Pozník, and Tomáš Paulen—in collaboration with the Old Town cultural centers.
Contact
Supported by
We support
TYPOSPOT is a street indie exhibition space in Bratislava’s Old Town that provides a platform for emerging and young graphic designers and artists, focusing primarily on conceptual typography. The aim is to offer them a creative and free space for self-realization, which can be often difficult to achieve in the early stages of their careers, especially given the current societal and cultural situation in Slovakia.
At the same time, we want to highlight the discipline of graphic design and typography itself. Typography is an integral part of our daily lives, yet it is often overlooked and undervalued by the general public. TYPOSPOT demonstrates that typography can also evoke various emotions and visual impulses. The individual installations thematically respond to current issues and phenomena related to the lives and challenges of young people, such as activism, otherness, individualism, information overload and disinformation, extremism, and climate change. Additionally, our exhibition space is an open and safe space for queer individuals, fostering inclusivity and dialogue through typography and design.
TYPOSPOT is a display in public space, where we host both individual and collective exhibitions on a six-week cycle. In agreement with the Old Town administration, the exhibitions take place in three blind windows on the side façade of the Zichy Palace, facing Prepoštská Street. This is a busy area frequented by locals, Bratislava residents, and tourists alike. Each exhibition introduces a designer through their own installation, enriched with accompanying events, such as an opening vernissage, guided tours, DJ performances, live acts, and more. At the end of each year, a catalog featuring interviews with the exhibiting artists will be published. By placing this project directly in the public space, we increase its visibility and reach, contributing to the city's identity-building, visual emancipation, similar to what we see in other contemporary metropolises, and fostering a deeper understanding of typography and the Old Town.
2025 marks the first year for TYPOSPOT, and the annual theme is... you guessed it... It symbolically carries the theme of [1] along with its different meanings and associations. Start. Odd. Beginning. First. Mono. Alone. Unique. Single. Individual. Whole.
TYPOSPOT is inspired by the Viennese project Typopassage and Bratislava’s Typogaráž. While the goals and presentation methods of these typo-projects vary, they are all united by one thing: a love for typography. TYPOSPOT is organized by a collective of graphic designers: Monika Juríková, Peter Pozník, and Tomáš Paulen—in collaboration with the Old Town cultural centers.
Contact
Supported by
We support